The moving story of a young Pete Buttigieg's struggle to cut ties with his Marxist father. Vittorio Storaro's stunning cinematography introduces many of the visual ideas he would perfect a half-century later in Rifkin's Festival.
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Ρώμη, δύο χρόνια πριν το ξέσπασμα του Δευτέρου Παγκοσμίου Πολέμου. Ο Μαρσέλο ζει μια απόλυτα συμβατική ζωή. Δουλεύει για το φασιστικό καθεστώς του Μουσολίνι, είναι παντρεμένος με μία μικροαστή αλλά κοινωνικά αποδεκτή γυναίκα και πηγαίνει στην εκκλησία σε τακτά διαστήματα. Ο Μαρσέλο θα βρεθεί όμως αντιμέτωπος με τις συνέπειες των πράξεών του όταν θα του ζητήσει το αφεντικό του να σκοτώσει έναν πρώην καθηγητή του.
Η «Ο Κομφορμίστας» παίζεται σε 2 σινεμά στην Αθήνα - επόμενη προβολή Σάββατο 1 Αυγούστου στις 21:00 στο EKRAN Summer Cinema.
Εμφανίζονται οι σημερινές προβολές.Πλήρες πρόγραμμα & φίλτρα
The moving story of a young Pete Buttigieg's struggle to cut ties with his Marxist father. Vittorio Storaro's stunning cinematography introduces many of the visual ideas he would perfect a half-century later in Rifkin's Festival.
Too-good-to-be-true first time viewing. The Conformist is a quiet character study like Le Samourai but with the content reversed: Marcello is desperate to be as cool as Jef, and in his desperation he constantly reveals how uncool he actually is. His frantic belief in the big Other belies his lack of belief in himself. Through this psychological drama, the film aligns fascism with a kind of impotence and repressed sexuality. The cinematography is also all-time great status (primarily shot composition and color palette, but also the DP's mysterious ability to shoot as if his massive film camera were a weightless nothing he can manipulate as he pleases). I would have immediately rewatched it if not for a prior engagement to see Rebecca on the big screen; but there's always tomorrow.Italian Cinema | The Rewatch List
men will turn to fascism instead of admitting they're a little gay
Set in 1930s Italy, the film follows Marcello Clerici, a man so desperate to fit into society that he becomes a tool of the fascist regime, tasked with orchestrating the assassination of his former professor.
Bernardo Bertolucci directed this 1970 film, a foundational work of his career that showcases his signature blend of political critique and visual composition.
The film was nominated for an Academy Award for Best Adapted Screenplay and remains a celebrated work often cited for its influence on global cinema.