always great to see a feel-good movie about traveling, recognizing your worth & wearing fun new accessories as you leave a toxic relationship. :) getting rid of a shitty boyfriend can be a real bear.
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Geregisseerd door Ari Aster
An atmospheric, acclaimed horror.
Dani trekt met haar vriend Christian naar een afgelegen dorp in Zweden. Tijdens hun verblijf komen ze tot de ontdekking dat de bewoners deelnemen aan een reeks bizarre en seizoensgebonden tradities. De recente overlijdens van de ouders van één van de twee protagonisten werpen een donker schaduw op de gebeurtenissen en zorgen voor een duister voorgevoel bij hun kind.
Vandaag geen speeltijden voor Midsommar in Los Angeles.
always great to see a feel-good movie about traveling, recognizing your worth & wearing fun new accessories as you leave a toxic relationship. :) getting rid of a shitty boyfriend can be a real bear.
My favourite bit is the cliff jump. And my favourite bit about the cliff jump is the old guy fucking it up. Why did he think he could just fall feet first like that and die? I mean, what was he thinking? His wife got it spot on, and he goes and fucks it up. What an embarrassment. It makes you wonder if it was typical of him. We never find out much about the pair of them, but you just know it was typical of him to be a fucking embarrassment like that. You just know she's had to put up with decades of him making all these blunders, like going up the loft and putting his foot through the ceiling, or forgetting to bring the passports when they're about to get on a flight. I bet he forgot to bring the passports for their flight to the festival. I bet she told him she just knew he'd fuck it up and forget, like he fucks up everything. And I bet she told him he'd probably fuck up the cliff jump as well. And he did.
i am SO glad ari aster clearly never went to therapy
A group of friends travels to a rural Swedish community for a rare midsummer festival, only to find themselves ensnared in a series of disturbing, ritualistic practices.
Ari Aster directed the 2019 film, which follows his debut feature, Hereditary, and explores themes of grief and co-dependency through a folk-horror lens.
It is widely categorized as folk horror, focusing on dread, atmosphere, and psychological tension rather than traditional jumpscares.