{"@context":"https://schema.org","@graph":[{"@context":"https://schema.org","@type":"MusicGroup","@id":"https://events.musicofourdesire.com/artist/ELPsmfkMVQpYL9XQAGRT","name":"Tír na nÓg","url":"https://events.musicofourdesire.com/artist/ELPsmfkMVQpYL9XQAGRT","image":{"@type":"ImageObject","url":"https://cdn.musicofourdesire.com/Artists/ELPsmfkMVQpYL9XQAGRT/48c093c2-ab1a-4a8c-b6cc-82d26a545bdd.webp","contentUrl":"https://cdn.musicofourdesire.com/Artists/ELPsmfkMVQpYL9XQAGRT/48c093c2-ab1a-4a8c-b6cc-82d26a545bdd.webp"},"genre":["irish folk","psychedelic folk","acoustic folk"],"keywords":"nostalgic, local artists, mature crowd","description":"Although they only lasted five years, Tir Na Nog managed to make their brief time in existence count, and fans of '70s folk still sing their praises warmly. Formed in Dublin in 1969, the duo of Sonny Condell and Leo O'Kelly were making the right music at the right time. 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Although influenced by traditional music, their compositions followed the singer/songwriter bent of the time, and the blend of two voices and two guitars did their material justice, light, airy, and thoroughly engaging, with bits of tabla and exotica -- although definitely not as quirky as contemporaries Dr. Strangely Strange. However, it wasn't until 1971 that they issued their eponymous debut, which put them firmly in the same territory as Fairport Convention, Magna Carta, and Fotheringay -- in other words, on the fringes, although they proved popular with a number of BBC disc jockeys, including John Peel, who played their work on the radio. It certainly helped that they toured a great deal, moving between the folk clubs and more lucrative college circuit, where they created a decent following, seemingly in a constant support slot. 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Tír na nÓg

Tir Nan Og - Born to Folk

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