{"@context":"https://schema.org","@graph":[{"@context":"https://schema.org","@type":"MusicGroup","@id":"https://events.musicofourdesire.com/artist/s2TaW09bwNUpt5exvGlF","name":"Coldcut","url":"https://events.musicofourdesire.com/artist/s2TaW09bwNUpt5exvGlF","image":{"@type":"ImageObject","url":"https://i.scdn.co/image/ab67616100005174217198d000d16d08d9b76da4","contentUrl":"https://i.scdn.co/image/ab67616100005174217198d000d16d08d9b76da4"},"genre":["trip hop","acid house"],"keywords":"high energy, polished, nostalgic, local artists, mature crowd","description":"British DJ duo Coldcut helped pioneer the art of sampling in pop and dance music during the 1980s, and have remained on the forefront of music technology for the entirety of their career. The duo translated the freewheeling spirit of pirate radio onto wax with innovative records such as 1987's Say Kids, What Time Is It? and their seminal remix of Eric B. & Rakim's \"Paid in Full,\" mashing together a cornucopia of breakbeats, musical hooks, and samples from children's television shows and movies, among a multitude of other sources. The duo achieved chart success through collaborations with artists such as Lisa Stansfield, Junior Reid, and Yazz, but their vision was clearly much broader than the scope of the major-label music machine, so they established Ninja Tune in order to maintain creative freedom. With releases from Coldcut and related projects like DJ Food, as well as associated artists such as Hex, Ninja Tune played a major role in popularizing trip-hop and instrumental hip-hop, and the taste-making label gradually encompassed a wide variety of other genres, from ragga to post-punk. Coldcut released mix CDs like 1995's Journeys by DJ: 70 Minutes of Madness which reflected the eclectic nature of their Solid Steel radio shows and club sets. They were early adaptors of the enhanced CD format (see 1997's Let Us Play!), they've integrated live video sampling into their performances since the '90s, and they've developed innovative audio-visual manipulation programs and apps. They accompanied 2006's Sound Mirrors with a massive audiovisual world tour. Later projects have included the 2017 On-U Sound collaboration Outside the Echo Chamber and the 2021 ambient charity compilation @0.\r\n\nJonathan More and Matt Black got their start, not surprisingly, as radio DJs, working at the pirate station Network 21 during the first half of the '80s, latching onto the snowballing club scene during the mid- to late '80s. Their claim to early fame, 1987's Say Kids, What Time Is It?, was modeled on the cut'n'scratch turntable aesthetic of underground deck heroes like Grandmaster Flash and Double D & Steinski. Widely regarded as the U.K.'s first breaks record and an influential force in bringing an identity to London's nascent club culture, the record opened as many doors for More and Black as it did for DJs, bringing scads of production and remix work their way. The attention (and royalties) also allowed them to launch their Ahead of Our Time label, succeeded by Ninja Tune and Ntone, which together have been home to some of the most acclaimed and influential artists of London's post-rave underground scene, including DJ Food, 9 Lazy 9, Up, Bustle & Out, and the Herbaliser.\r\n\nColdcut scored a U.K. Top 20 hit with their debut full-length, 1989's What's That Noise?, which included the Top Ten single \"Doctorin' the House\" (with Yazz & the Plastic Population) as well as collaborations with Lisa Stansfield, Junior Reid, and Mark E. Smith. 1990's house-centric Some Like It Cold included the Queen Latifah-featuring \"Find a Way,\" which also reached the U.K. charts. Following a befuddled contract with Arista, which yielded 1993's downtempo Philosophy, the name Coldcut remained in legal channels for the following few years. The intervening period found the pair no less active, releasing a flood of material under different names and continuing to work with young groups. The Coldcut name returned to More and Black in 1995, and the pair celebrated with a mix CD as part of the Journeys by DJ series dubbed 70 Minutes of Madness. The release was credited with bringing more attention to the sort of freestyle mixing the pair were always known for through their radio show on KISS FM, Solid Steel, and their steady club dates, a style that later took off through clubs like Blech and the Heavenly Sunday Social. \r\n\nIn 1997, Coldcut finally released another full-length, Let Us Play!, which included guests such as Jello Biafra and Ninja Tune labelmates Hexstatic and the Herbaliser. A year later, the pair followed up with the remix album Let Us Replay!, which was packaged with a CD-ROM including music videos and a demo of the group's interactive VJamm software. Numerous mix CDs and 2001's Re:volution single appeared before they returned in 2006 with Sound Mirrors, a slick album that recalled their debut. The duo completed a 100-date audiovisual world tour in support of the album.\r\n\nFollowing Sound Mirrors, Coldcut largely kept busy on the business and technological fronts. Black co-developed a \"granular video synthesizer\" titled Granul8, and the duo released a music production app called Ninja Jamm. Ninja Tune maintained their highly productive release schedule, celebrating their 20th anniversary in 2010 with Ninja Tune XX, an exhaustive box set including six CDs of remixes and rarities, six 7\" singles, and a hardcover book. In 2016, Coldcut resurrected their earliest label, Ahead of Our Time, and released The Bullnose Step EP, the first release in 25 years by their little-known Bogus Order alias. They also issued Only Heaven, a Coldcut EP featuring Ninja Tune regular Roots Manuva. In 2017, Coldcut and legendary dub/post-punk producer Adrian Sherwood (credited as On-U Sound) released the collaborative album Outside the Echo Chamber, featuring guest contributions from Manuva as well as Lee \"Scratch\" Perry, Ce'cile, Dennis Bovell, and others. Bogus Order's Zen Brakes, Vol. 2 appeared soon afterward. Coldcut collaborated with the South African collective Keleketla!, whose 2020 self-titled debut featured Tony Allen, Shabaka Hutchings, and the Watts Prophets, among numerous other artists. In 2021, Coldcut compiled @0, an ambient compilation with proceeds going toward three mental health-related charities, featuring artists such as Ryuichi Sakamoto, Sigur Rós, and Laraaji. ~ Sean Cooper & Paul Simpson, Rovi","sameAs":["https://facebook.com/coldcutofficial","https://twitter.com/Coldcut","https://en.wikipedia.org/wiki/Coldcut"],"inLanguage":["en"],"interactionStatistic":{"@type":"InteractionCounter","interactionType":"https://schema.org/FollowAction","userInteractionCount":1},"mainEntityOfPage":{"@id":"https://events.musicofourdesire.com/artist/s2TaW09bwNUpt5exvGlF#webpage"}},{"@type":"WebPage","@id":"https://events.musicofourdesire.com/artist/s2TaW09bwNUpt5exvGlF#webpage","url":"https://events.musicofourdesire.com/artist/s2TaW09bwNUpt5exvGlF","name":"Coldcut","description":"British DJ duo Coldcut helped pioneer the art of sampling in pop and dance music during the 1980s, and have remained on the forefront of music technology for the entirety of their career. The duo translated the freewheeling spirit of pirate radio onto wax with innovative records such as 1987's Say Kids, What Time Is It? and their seminal remix of Eric B. & Rakim's \"Paid in Full,\" mashing together a cornucopia of breakbeats, musical hooks, and samples from children's television shows and movies, among a multitude of other sources. The duo achieved chart success through collaborations with artists such as Lisa Stansfield, Junior Reid, and Yazz, but their vision was clearly much broader than the scope of the major-label music machine, so they established Ninja Tune in order to maintain creative freedom. With releases from Coldcut and related projects like DJ Food, as well as associated artists such as Hex, Ninja Tune played a major role in popularizing trip-hop and instrumental hip-hop, and the taste-making label gradually encompassed a wide variety of other genres, from ragga to post-punk. Coldcut released mix CDs like 1995's Journeys by DJ: 70 Minutes of Madness which reflected the eclectic nature of their Solid Steel radio shows and club sets. They were early adaptors of the enhanced CD format (see 1997's Let Us Play!), they've integrated live video sampling into their performances since the '90s, and they've developed innovative audio-visual manipulation programs and apps. They accompanied 2006's Sound Mirrors with a massive audiovisual world tour. Later projects have included the 2017 On-U Sound collaboration Outside the Echo Chamber and the 2021 ambient charity compilation @0.\r\n\nJonathan More and Matt Black got their start, not surprisingly, as radio DJs, working at the pirate station Network 21 during the first half of the '80s, latching onto the snowballing club scene during the mid- to late '80s. Their claim to early fame, 1987's Say Kids, What Time Is It?, was modeled on the cut'n'scratch turntable aesthetic of underground deck heroes like Grandmaster Flash and Double D & Steinski. Widely regarded as the U.K.'s first breaks record and an influential force in bringing an identity to London's nascent club culture, the record opened as many doors for More and Black as it did for DJs, bringing scads of production and remix work their way. The attention (and royalties) also allowed them to launch their Ahead of Our Time label, succeeded by Ninja Tune and Ntone, which together have been home to some of the most acclaimed and influential artists of London's post-rave underground scene, including DJ Food, 9 Lazy 9, Up, Bustle & Out, and the Herbaliser.\r\n\nColdcut scored a U.K. Top 20 hit with their debut full-length, 1989's What's That Noise?, which included the Top Ten single \"Doctorin' the House\" (with Yazz & the Plastic Population) as well as collaborations with Lisa Stansfield, Junior Reid, and Mark E. Smith. 1990's house-centric Some Like It Cold included the Queen Latifah-featuring \"Find a Way,\" which also reached the U.K. charts. Following a befuddled contract with Arista, which yielded 1993's downtempo Philosophy, the name Coldcut remained in legal channels for the following few years. The intervening period found the pair no less active, releasing a flood of material under different names and continuing to work with young groups. The Coldcut name returned to More and Black in 1995, and the pair celebrated with a mix CD as part of the Journeys by DJ series dubbed 70 Minutes of Madness. The release was credited with bringing more attention to the sort of freestyle mixing the pair were always known for through their radio show on KISS FM, Solid Steel, and their steady club dates, a style that later took off through clubs like Blech and the Heavenly Sunday Social. \r\n\nIn 1997, Coldcut finally released another full-length, Let Us Play!, which included guests such as Jello Biafra and Ninja Tune labelmates Hexstatic and the Herbaliser. A year later, the pair followed up with the remix album Let Us Replay!, which was packaged with a CD-ROM including music videos and a demo of the group's interactive VJamm software. Numerous mix CDs and 2001's Re:volution single appeared before they returned in 2006 with Sound Mirrors, a slick album that recalled their debut. The duo completed a 100-date audiovisual world tour in support of the album.\r\n\nFollowing Sound Mirrors, Coldcut largely kept busy on the business and technological fronts. Black co-developed a \"granular video synthesizer\" titled Granul8, and the duo released a music production app called Ninja Jamm. Ninja Tune maintained their highly productive release schedule, celebrating their 20th anniversary in 2010 with Ninja Tune XX, an exhaustive box set including six CDs of remixes and rarities, six 7\" singles, and a hardcover book. In 2016, Coldcut resurrected their earliest label, Ahead of Our Time, and released The Bullnose Step EP, the first release in 25 years by their little-known Bogus Order alias. They also issued Only Heaven, a Coldcut EP featuring Ninja Tune regular Roots Manuva. In 2017, Coldcut and legendary dub/post-punk producer Adrian Sherwood (credited as On-U Sound) released the collaborative album Outside the Echo Chamber, featuring guest contributions from Manuva as well as Lee \"Scratch\" Perry, Ce'cile, Dennis Bovell, and others. Bogus Order's Zen Brakes, Vol. 2 appeared soon afterward. Coldcut collaborated with the South African collective Keleketla!, whose 2020 self-titled debut featured Tony Allen, Shabaka Hutchings, and the Watts Prophets, among numerous other artists. In 2021, Coldcut compiled @0, an ambient compilation with proceeds going toward three mental health-related charities, featuring artists such as Ryuichi Sakamoto, Sigur Rós, and Laraaji. ~ Sean Cooper & Paul Simpson, Rovi","dateModified":"2026-03-30","author":{"@type":"Organization","@id":"https://events.musicofourdesire.com/#organization","name":"Mood"},"mainEntity":{"@id":"https://events.musicofourdesire.com/artist/s2TaW09bwNUpt5exvGlF"},"speakable":{"@type":"SpeakableSpecification","cssSelector":["[data-speakable='name']","[data-speakable='description']"]}}]}

Coldcut

Similar Artists

The Wiseguys

Lemon Jelly

DJ Food

Similar Artists

The Wiseguys

Lemon Jelly

DJ Food

Bomb The Bass

Propellerheads

Bentley Rhythm Ace