yo homie, is that my briefcase?
We use cookies to personalize your experience and analyze traffic. You can opt out at any time.
Regie Michael Mann
An atmospheric, acclaimed drama.
Vincent ist ein cooler, berechnender Auftragskiller und sehr gefragt im Business. Max ist ein Taxifahrer mit großen Träumen und ohne Erfolg. In dieser schicksalhaften Nacht fährt Max Vincent zu seinem nächsten Job – eine Nacht, fünf Stopps, fünf Treffer, eine Flucht. In dieser zufälligen Begegnung prallen zwei Leben aufeinander – und keiner der Männer wird jemals wieder derselbe sein. Heute Nacht wird sich alles ändern.
Heute keine Spielzeiten für Collateral in Los Angeles.
yo homie, is that my briefcase?
lighthearted buddy roadtrip movie
Two lonely specks in the cosmos pass each other by and irreversibly change courses. Not sure why this hit me harder than it has on previous watches but I love the immediacy and working-class detail Mann manages to fit into the minute logistics of his thrills, the wounded sensitivity of the character writing (so many wonderful little acting gestures between Cruise and Foxx who are locked in a moral and philosophical battle as much as a literal one) and of course the stylish mood and existentialism of its constantly on-the-move handheld, digital lowlight depiction of LA at night. Chris Cornell howling into the fuzzy orange sky had me practically in tears! Right when it hit midnight I was watching the club shootout. Just sublime, Happy New Year y’all!
A taxi driver in Los Angeles is held hostage by a methodical hitman who forces him to drive to five separate locations to complete a series of contract killings.
Michael Mann directed the 2004 thriller, known for his distinct visual style in films like Heat and Thief.
The movie is notable for being one of the first major Hollywood productions to utilize high-definition digital cameras to capture the nocturnal environment of Los Angeles.