If you see me in Atlantic City next week, don’t worry I’m not having a seizure. I’m just trying Jerry Lewis’ spastic itching, twitching and jerking method to win some moneyMartin & Lewis Ranking
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Ein Filmfan reist nach einem Autogewinn zusammen mit einem Spieler quer durch die USA nach Hollywood - immer auf der Suche nach seinem Idol Anita Ekberg. Dabei fordert seine trottelhafte Naivität das Glück geradezu heraus. Höhepunkt des turbulenten Lustspiels, das die romantische Reise durch die Vereinigten Staaten zum Anlaß nimmt, das Musical zu persiflieren, ist eine fast geniale Stierkampfparodie. Der Film gehört zu den letzten, die Jerry Lewis und Dean Martin gemeinsam drehten.
Hollywood or Bust läuft derzeit in keinem Kino.
Folge dem Film in der App, um benachrichtigt zu werden, sobald Spielzeiten dazukommen.
If you see me in Atlantic City next week, don’t worry I’m not having a seizure. I’m just trying Jerry Lewis’ spastic itching, twitching and jerking method to win some moneyMartin & Lewis Ranking
did jerry lewis invent annoying letterboxd user who has to bring up films and gregory peck at least once per minute (me)
Essa louca ambição de fazer triunfar a arte através do apagamento do artista é uma das mais preciosas heranças da nouvelle vague, que a tomou dos grandes clássicos.Se na frase acima se substituir "arte" por "filme", "artista" por "roteiro" e "grandes clássicos" por "primeiros modernos" fica moleza estabelecer a relação de filmes como Made in U.S.A, La collectionneuse, Model Shop, Lions Love, Une aventure de Billy le Kid, Le maître du temps, Out 1, noli me tangere, Du côté d'Orouët com filmes como Hollywood or Bust, Give a Girl a Break, I Love Melvin, My Sister Eileen, The Band Wagon, Kiss Me Kate, Gentlemen Prefer Blondes, Summer Stock etc. etc.
A fast-talking gambler and a naive movie enthusiast embark on a cross-country road trip to Hollywood, sharing a convertible and a Great Dane along the way.
Frank Tashlin directed this 1956 musical comedy, bringing his background in animation to the live-action format.
Yes, this 1956 production marked the end of the professional partnership between Dean Martin and Jerry Lewis.