at first i thought "hey this isn't very cronenbergian" but then a random character at a bar casually asked our protagonist if he was "a faggot" then leaned back to reveal a giant humanoid bug monster sitting next to him and i was like oh sure
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New York 1953: Der erfolglose Schriftsteller Bill Lee hält sich als Kammerjäger über Wasser und versucht, seinen Frust mit Drogen zu betäuben. Vollgedröhnt mit Insektengift erschießt er seine Frau Joan beim “Wilhelm-Tell-Spiel” und flüchtet sich an einen fiktiven Ort namens Interzone. Dort wähnt er sich von skurrilen Kreaturen aus seinem schizoiden Unterbewusstsein verfolgt. Seine Schreibmaschine mutiert zu einem überdimensionalen Insekt, das ihn zwingt, seine Erlebnisse für eine geheimnisvolle Organisation zu dokumentieren. Die Kreatur fordert mehr und mehr Stoff...
Heute keine Spielzeiten für Naked Lunch in Los Angeles.
at first i thought "hey this isn't very cronenbergian" but then a random character at a bar casually asked our protagonist if he was "a faggot" then leaned back to reveal a giant humanoid bug monster sitting next to him and i was like oh sure
it's a kafka high. you feel like a bug
I personally would not have invented a typewriter that can cum but that's why David Cronenberg is a genius and I'm just some schmo typing this review on a bone dry keyboard.
The film follows an exterminator who descends into a paranoid, drug-addled hallucinatory state within the mysterious city of Interzone after accidentally killing his wife.
David Cronenberg directed the film in 1991, continuing his thematic exploration of psychological transformation and bodily horror.
Yes, the film is a loose, surreal adaptation of the novel by William S. Burroughs, incorporating key elements of the author's own life.