Frankie Cosmos

Kline has been a fixture of the American indie underground since her late teens when her prolific Bandcamp releases and 2014 indie-label debut Zentropy led her to be dubbed “the poet laureate of New York City DIY.” A tag like that is a lot for young shoulders to take on, but it’s hard to deny the singular influence she has had on contemporary pop music. If the idea of a young woman picking up a synth in her bedroom, putting a couple of songs on the internet, and quickly becoming a superstar is now de rigeur, it’s because Kline – along with a handful of other artists and writers – normalized and exalted ideas of (female) DIY genius long before they were pinned to moodboards in major-label marketing offices. -Shaad D'Souza