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Σκηνοθεσία Stanley Kubrick
Barry Lyndon
Θρυλικό, ατμοσφαιρικό δράμα
Κάτα τη διάρκεια του Επταετούς Πολέμου στην Ευρώπη ένας νεαρός Ιρλανδός ζαλισμένος από τον έρωτα και το νεανικό αυθορμητισμό του βρέθηκε χωρίς καλά καλά να το καταλάβει παγιδευμένος στην τρέλα ενός πολέμου όπου τακτικά σώματα στρατού παρατάσσονταν με απόλυτη πειθαρχία το ένα απέναντι από το άλλο και πυροβολούσαν στο ψαχνό στέλνοντας μιλούνια νέων στο θάνατο με φρικαλέα οργάνωση κι αποτρόπαιο σύστημα. Ο ήρωας της ιστορίας αποφάσιζει να ξεφύγει από αυτό το μαζικό ντελίριο παριστάνοντας τον στρατιωτικό αγγελιαφόρο για να καταλήξει μετά από σκαμπανεβάσματα στην κοινωνική του ανέλιξη με τίτλο και πλούτη ευγενούς, ονόματι Barry Lyndon.
Η «Μπάρι Λίντον» δεν παίζεται σε κινηματογράφους αυτή τη στιγμή.
Ακολούθησε την ταινία στην εφαρμογή για ειδοποίηση όταν προστεθούν προβολές.
Προβολές για Μπάρι Λίντον, ενημερωμένες κάθε πρωί
Διάλεξε σινεμά και πάρε υπενθύμιση πριν κατέβει.
Showed this to my mom today. She thinks 2001: A Space Odyssey is the most boring film of all time, she walked out of A Clockwork Orange and she never ceases to complain about every aspect in Dr. Strangelove.....And yet, she was utterly entranced for every second of Barry Lyndon, laughing and crying along with the ravishing imagery and the remarkable storytelling. Ladies and gentlemen, there's a Stanley Kubrick film for everyone.
marie antoinette for fellas
One of the most interesting things about Barry Lyndon is that he's boring. He's a bit stupid - but not enough for me to feel sorry for him; he's a bit pompous - but not enough for me to hate him; he's somewhat good-looking - but not enough to inevitably draw the eye; he shows some bravery - but it's a workaday sort that anyone might show; his beginnings are poor - but not too desperately poor; his end has some tragedy - but it is not terribly so (he does get to keep his knee and 500 a year). And so the grandeur of the vehicle that carries him - an epic film - epic in length, epic in beauty and filled with wars and duels and love affairs and wealth - is perhaps the great joke: an essentially average person, someone I neither love nor hate, gets the title card. Is Stanley Kubrick giving me a conspiratorial elbow to the ribs or a mocking grin? I am not sure if I am in on the joke or the butt of it, for while I can see the irony of the thing, I cannot, in the end, easily distance myself from it. I am uncomfortably suspicious of two things: one, that every film, every story I've ever watched or ever read is not really about a hero at all (perhaps even the idea of a protagonist is bogus); they all feature average, boring people; I've just been fooled by the accoutrements. Two, that we are each, terribly average - and well, a bit boring - in spite of the central role we each feel we play in our own lives. When presented finally at court, a title carries no real consequence, and the king, however polite, cannot really place the man with the grand title as one of those among his acquaintance and within his respect. Barry Lyndon is only Redmond Barry after all.
The film follows the rise and eventual decline of an Irish opportunist who manipulates his way into the British aristocracy during the 18th century.
Stanley Kubrick directed the 1975 film, known for his meticulous attention to detail and pioneering use of natural lighting.
Yes, the film won four Academy Awards, including Best Cinematography and Best Art Direction.
