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Σκηνοθεσία Guy Maddin
My Dad Is 100 Years Old
Ατμοσφαιρικό, τραχύ ντοκιμαντέρ
Σε αυτή τη μικρού μήκους ταινία, η Ιζαμπέλα Ροσελίνι εξετάζει τη ζωή και το έργο του πατέρα της, Ρομπέρτο Ροσελίνι. Μέσα από μια σουρεαλιστική και προσωπική αφήγηση, υποδύεται διάφορες προσωπικότητες που επηρέασαν ή αμφισβήτησαν το έργο του, προσφέροντας έναν στοχαστικό φόρο τιμής.
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a richly surreal journey through isabella rossellini’s perspective and recollections of her father, roberto rossellini. at times she dresses as charlie chaplin, selznick, and most momentous, as her mother (a personal fave of mine) ingrid bergman. there’s something trippy to this but it’s also deeply felt and enveloping. really dug it.
A beautiful and rousing tribute to Roberto Rosselini by his daughter, directed by Guy Maddin. But this film is hardly a puff piece worshipping him. Rather it's an honest look that can only come from someone's child.My Dad is 100 Years Old continues the discussion that Rosselini had with the film world, about what exactly is a film. What makes one good? What is necessary and unnecessary and what is pretentious versus what is honest?Isabella Rosselini also stands in for David Selznik, Charlie Chaplin and Alfred Hitchcock, to give other perspectives on what a film could and should achieve. She undeniably loves her father, but also wants to show warts and all. And she only presents his approach to film as an argument, not a conclusive statement
A really beautiful, and playful, meditation on the filmmaking of Roberto Rossellini through the medium of both Guy Maddin and Isabella Rossellini.The conversations from directors, all played by Isabella, (portrayed as sharp caricatures) allow for interesting dialogues that lightly, though effectively, open up wider debates about the purpose and philosophy of cinema. Though, the heart of this work is a connection between mother and father, as Isabella unpicks a legacy with assistance from Maddin's inventive lens.There are touching anecdotes and wonderful little stories, and the filmmaking accentuates it all so nicely. In the end, it is deeply touching and very contemplative. A lovely short that celebrates a filmmaker while being unafraid to question his legacy, and the purpose of film in general.
The film is a surreal, experimental short where Isabella Rossellini reflects on the artistic legacy of her father, director Roberto Rossellini, by impersonating the iconic figures who shaped his career.
The film was directed by Guy Maddin in 2006, a Canadian filmmaker recognized for his unique, highly stylized approach to cinema.
