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Σκηνοθεσία Martin Scorsese
New York, New York
Μουντή, ατμοσφαιρική ρομαντική ταινία
Ημέρα λήξης Β Παγκοσμίου Πολέμου, 1945. Η Νέα Υόρκη βρίσκεται στο πόδι πανηγυρίζοντας και γιορτάζοντας στα κλαμπ. Ανάμεσα στον κόσμο κι ο Τζίμι Ντόιλ, ένας εγωιστής σαξοφωνίστας, που θα γνωρίσει τη Φρανσίν Έβανς, μια τραγουδίστρια χαμηλού βεληνεκούς. Παρά τις αμφιβολίες της Φρανσίν, οι δυο τους θα βρεθούν παρέα το πρωί και θα ξεκινήσει η μακρόβια σχέση τους. Μια σχέση βασισμένη στην αγάπη, αλλά και τη μουσική.
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the fact that this vibrant collision of romanticism and realism is somehow considered a “lesser” Marty picture is a testament to the man’s inability to miss. despite its box office failure and lukewarm reviews (musicalphobia is real…), its sonic impact has loudly and clearly reverberated throughout culture, decades and decades on. i’m talking specifically about when Alex the lion sings New York, New York in Madagascar :) more proof for my theory that 1977 was the greatest year for cinema
When you're in love, everything feels like a movie, the sidewalks light up wherever you go and everything seems to be in perfect harmony. Then the relationship ends and after reality settles in again, you think back and it seems different, you realize you were kind of a dick and that the reason everything seemed beautiful was because you were too wrapped up in your own feelings to see what was really going on, how selfish and manipulative and cruel you were being even in the glow of new love. This movie is like a composite of both of those images, one layered right on top of the other, somehow making them fit together. Perfect harmony.
Scorsese, I love you but you're bringing me down
The film follows the volatile and decades-long romantic and professional partnership between a narcissistic jazz saxophonist and a rising singer in the post-WWII era.
Martin Scorsese directed the film in 1977, blending his gritty New Hollywood style with the aesthetic of classic MGM musicals.
