Καμία Δήλωση

FilmChris3.5

norske komedier har alltid vært en mixed bag for meg. men jeg flirte godt her, innrømmer det… funker også fordi den ikke tar seg selv for høytidelig, som jeg setter pris på. bra tempo gjennom filmen selvom enkelte scener kunne godt vært kuttet bort2025

anebanan4.0

min favorittsjangar e pia tjelta som servere fjes å fitta på stavangersk (Charisma Uniqueness Nerve Talent)

Kim Langvandsbråten3.0

We don’t really make a lot of political satire like this in Norway—at least not as full-on feature films. So just the fact that this exists, clearly inspired by very recognizable recent events, is kind of refreshing. It’s an easy way in—you immediately understand the premise, the stakes, the mess.Sondre is the scapegoat.And he really is—at least structurally. The film starts throwing him under the bus almost immediately, and then just keeps going. Day after day after day. It becomes the engine of the whole thing, to the point where he feels less like a person and more like a function.Anders Baasmo does a solid job with that. He disappears more into the role than he sometimes does—less Baasmo playing Baasmo. You even forget it’s him at times.Laila Goody is a very good actor. There’s nothing especially flashy about this role, but she mostly nails it—controlled, composed, just enough warmth underneath.The satire works, mostly. It lands in terms of observation, but it’s rarely funny. You see what it’s doing, you recognize the targets—you nod more than you laugh.And then there’s Pia Tjelta—this is basically her show.She takes over every scene she’s in. Sharp, aggressive, completely unfiltered when it matters.“You fucking cunt face.”That’s where the film actually comes alive. When it stops being polite and lets her go.It works, it looks good, it has a clear angle—but it never quite pushes far enough.My Favourite Norwegian Movies Ranked2025 RankedPia Tjelta RankedPetter Næss Ranked