Some have called this a horror movie, but to me, this film was nothing more than brutally sad. It is the story of a man altered cruelly as a child such that the society he is in will only accept him as a sideshow attraction. He makes a living there. He has a good heart, even as a child (he rescues a baby from the arms of her dead, frozen mother). He is a decent man, despite being tormented by his disfigurement.Conrad Veidt plays this man with a skill only the old silent stars had. Using only his eyes (as his mouth is stretched into a hideous grin), he conveys every emotion modern actors can't even get across with their full bodies and voices. And that's really the key to how great the silent era films could be: its limitations forced the directors and performers and whatnot to use their imaginations, to find inventive ways, to do whatever they could to create the stories they wanted to tell. There are so many accolades these days for computer graphics and the wonders they bring us, but I will take the cheeziest of old school effects any day. Even without flashy effects, though, just seeing this film's depiction of the man who laughs was enough to choke me up a bit.
Όταν ένας περήφανος ευγενής αρνείται να υποταχθεί στον δεσποτικό Βασιλιά Ιάκωβο το 1690, εκτελείται βάναυσα και ο γιος του παραμορφώνεται χειρουργικά, αναγκάζοντάς τον να ζει με ένα μόνιμο χαμόγελο.
Πού παίζεται
2Η «Ο Άνθρωπος που Γελά» παίζεται σε 2 σινεμά στην πόλη Λος Άντζελες — επόμενη προβολή Κυριακή 27 Σεπτεμβρίου στις 19:00 στο Old Town Music Hall.
Κυριακή, 27 Σεπτεμβρίου
Σάββατο, 24 Οκτωβρίου
Συντελεστές
6Κριτικές θεατών
homo the dog is my favourite gay-coded villain
the duchess getting horny at his show because she was kinda scared and also repulsed was incredibly based
What is The Man Who Laughs about?+
Based on the Victor Hugo novel, the film follows a young man whose face is surgically disfigured into a permanent grin who seeks solace as a traveling performer while dealing with his tragic past.
Who directed The Man Who Laughs?+
Paul Leni directed the film in 1928; he was a German director known for his significant contributions to the development of German Expressionist cinema.














