a gregg araki mumblecore film?...now that’s a vibe and of course here’s the link for those who wanna watch it
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Σκηνοθεσία Gregg Araki
Three Bewildered People in the Night
Ατμοσφαιρικό, τραχύ δράμα
Ο Ντέιβιντ, ο Κρεγκ και η Αλίσια είναι ένα ερωτικό τρίγωνο που αναζητά απαντήσεις μέσα από την αγωνία και την απόγνωση, καθώς προσπαθούν να ξεκαθαρίσουν τα συναισθήματα και τη σεξουαλικότητά τους σε ένα καφενείο αργά το βράδυ.
Δεν υπάρχουν προβολές της «Τρεις μπερδεμένοι άνθρωποι στη νύχτα» στην πόλη Λος Άντζελες σήμερα.
a gregg araki mumblecore film?...now that’s a vibe and of course here’s the link for those who wanna watch it
How I know this is Gregg Araki's first movie: it takes a full hour for someone to use the word 'fuckhead.'This certainly isn't his best film, but it is a beautifully shot and deliberately understated document of LA's performance and video art scenes. I know Araki is always viewed as being a New Queer Cinema director, but this fits perfectly with the spate of gay indies that were popping up at the time -- Abuse, Kamikaze Hearts, Parting Glances, Sparkles Tavern (shot in '75, released in '84), etc.
"I'm twenty-five years old and I have no fucking idea where I'm going."Yet another decades-old gem languishing in VHS limbo, though since this was a $5,000 student film (Araki told me once that despite being a USC student, he would regularly sneak onto the UCLA campus in order to use their freely available and apparently unsupervised editing equipment) no permits or permissions were involved in its production. The task of music clearance alone - if approached head on - is virtually insurmountable. Needs someone willing to ride dirty (or safely indemnify) on the rights. UCLA Film & Television Archive's semi-recent restoration (screened in February 2011) needs to be seen, especially since the only other way to see this is through a Japanese-subtitled VHS-rip.
The film follows three young people caught in an emotional and sexual triangle, spending a long, talkative night in a coffee shop processing their feelings of alienation and despair.
Gregg Araki directed the film in 1987 as his debut feature, establishing his early style as a key figure in the American independent film scene.