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Σκηνοθεσία René Laloux
Time Masters
Ανατρεπτική, ατμοσφαιρική ταινία κινουμένων σχεδίων
Στον πλανήτη Περντίτ, ο νεαρός Πιέλ μένει ορφανός μετά από επίθεση γιγάντιων σφηκών. Ένας τυχοδιώκτης του διαστήματος, ο Τζαφάρ, ξεκινά μια αγωνιώδη προσπάθεια για να τον διασώσει, σε μια περιπέτεια που διασχίζει τον χρόνο και τον χώρο.
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No one even mentions the titular time masters until the last ten minutes but it doesn’t matter since there’s so much rad wild stuff happening. A planet of faceless angel drones controlled by a big blob! Little baby telepathic robots birthed by an alien plant! The hyponiterix!In conclusion I’m mad there aren’t at least five more time masters movies
"Human beings, or at least some of them, don't care about the beauty of things. It's only their value that interests them."I was not expecting this relatively little-known (outside of France, that is) slice of 80s sci-fi animation to be as impactful as it is. While I did expect my first René Laloux viewing to be visually striking (and it is), what left the biggest impression on me is his command over simple yet moving themes in the midst of the kind of grandeur that uninhibited science fiction offers. The way he combines kid-friendly elements with sharply-defined structural animation also stood out to me, particularly given the supremely short runtime with which he told his story. It's through the alignment of all of these pieces that Les Maîtres du temps made it abundantly clear to me why Laloux is regarded as a master of his craft. What else can I say other than I wish I could spend much more time on his worlds?P.S. So many contemporary sci-fi features are transparently reminiscent of this. I'd name a few but I don't want to risk spoiling any of them for the uninitiated. Suffice it to say that it was years ahead of its time.Scavenger Hunt 62 #22 out of 31 - Watch a film by either Bill Plympton, René Laloux, or Will Vinton.
So like a lot of René Laloux material this tackles the heady concept of going with the norm or pave your own road or at least that's my perception of this film unfortunately it tackles it really on the last third of the material with us being initially pushed into this narrative of these rich oligarchs being traversed through space so they can keep there wealth from going to those that worked for it. Honestly I can go on but really this story bounces from so many structures it's hard to keep a theme and really I feel my initial statement is where I am willing to commit is it's thesis. I have to say I enjoyed the aesthetics like most of Laloux films but really this story doesn't have a solid line to tie it all together and all I can say is maybe watch it high so you can enjoy it's stream of consciousness cause it's all over the map in a way that is so unstructured and honestly I didn't really even get the ending so check it out mainly for with the allure of the visuals.
The film follows a space adventurer's race against time to rescue a young boy abandoned on the dangerous planet Perdide.
It was directed by the French animator René Laloux in 1982, who is also known for his work on the surreal science fiction film Fantastic Planet.
The film features a significant and highly regarded narrative reveal in its final act that reframes the entire journey.
