Marc Caro, born April 2, 1956, is a French filmmaker and cartoonist, best known for his co-directing projects with Jean-Pierre Jeunet. The two of them met at an animation festival in Annecy in 1974. Together, Jeunet and Caro directed award-winning animations. Their first live action film was The Bunker of the Last Gunshots (1981), a short film about soldiers in a bleak futuristic world. Jeunet and Caro's first feature film was Delicatessen (1991), a melancholy comedy set in a famine-plagued post-apocalyptic world, in which an apartment building above a delicatessen is ruled by a butcher who kills people in order to feed his tenants. They next made The City of Lost Children (1995), a dark, multi-layered fantasy film about a mad scientist who steals children's dreams so that he can live indefinitely. The success of The City of Lost Children led to an invitation to direct the fourth film in the Alien series, Alien: Resurrection (1997). This is where Jeunet and Caro ended up going their separate ways as Jeunet believed this to be an amazing opportunity and Caro was not interested in a film that lacked creative control working on a big-budget Hollywood movie. Caro ended up assisting for a few weeks, with costumes and set design but afterwards, decided to work on a solo career in illustration and computer graphics. His first feature film as a solo director was entitled Dante 01. Description above from the Wikipedia article Marc Caro licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Ο Marc Caro είναι Γάλλος σκηνοθέτης, animator και σκιτσογράφος, περισσότερο γνωστός για τις ξεχωριστές οπτικές συνεργασίες του με τον Jean-Pierre Jeunet σε καλτ κλασικά όπως το Delicatessen.
Είναι περισσότερο γνωστός για τη συν-σκηνοθεσία των αναγνωρισμένων δυστοπικών ταινιών Delicatessen (1991) και The City of Lost Children (1995).
Δημιουργεί έντονα στιλιζαρισμένα, σκοτεινά δυστοπικά έργα επιστημονικής φαντασίας και φαντασίας, συνδυάζοντας συχνά animation, περίπλοκο σχεδιασμό παραγωγής και σουρεαλιστική κωμωδία. Εξερευνήστε την πλήρη φιλμογραφία του στο Mood.