while I love the werewolf transformation in this, it is still very funny to me that the Dee Wallace just has to stand there for 5 minutes watching it happen like: 😟
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Karen, een TV-journaliste, wordt na een aanranding naar The Colony, een privé-inrichting gestuurd. Daar vindt zij alles behalve rust. 's Nachts klinkt uit de dampige bossen een afgrijselijk gehuil. Het begin van een bloedstollende trip in de sinistere wereld van de weerwolf.
The Howling draait op dit moment niet in de bioscoop.
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while I love the werewolf transformation in this, it is still very funny to me that the Dee Wallace just has to stand there for 5 minutes watching it happen like: 😟
Never, ever, under any circumstances attend a "retreat" of any kind in California.
Werewolves as pure human urges in the era of television images. There is something to be said about how this approach crashes in fascinating ways with the film's own role in moving us from 70's political horror to the 80's more spectacular version of same. It is about hold on to meaning around progresively artificial bodies and images. Primary and essential.
A news anchor travels to a remote retreat to recover from a traumatic attack, only to discover the inhabitants are concealing a supernatural condition.
Joe Dante directed The Howling in 1981; he is a filmmaker known for his work in the genre, including Gremlins and The Burbs.
The film won the 1980 Saturn Award for Best Horror Film.