Brimming with so many incredible portraits: strikes some of the most delicate images of the year. Self-expression until the very end - such a brilliant artistic tribute. Rami Malek is revelatory. It’s a tough business, living.
Geregisseerd door Ira Sachs
Een sfeervol, realistisch drama.
In late 1980s New York, a theater artist living with AIDS takes on one possibly last great role.
The Man I Love draait in 1 bioscoop in New York City - eerstvolgende voorstelling maandag 12 oktober om 19:00 in Film at Lincoln Center - Elinor Bunin Munroe Film Center.
Volgende voorstellingen: maandag 12 oktober.
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Speeltijden van The Man I Love, elke ochtend ververst
Kies je bioscoop en krijg een seintje voordat de film van het doek verdwijnt.
Brimming with so many incredible portraits: strikes some of the most delicate images of the year. Self-expression until the very end - such a brilliant artistic tribute. Rami Malek is revelatory. It’s a tough business, living.
Ira Sachs movies look so great in pink. That pink sweater specifically is unbelievable, does for this what the mesh top did for Passages. I liked Rami but hard not to think about how Franz Rogowski would’ve eaten this up. Finally a “billiards” tag movie in Cannes, and in one of my favorite scenes of the fest
admired this more than i was affected by it, but that's still practically a rave considering my allergy to Rami Malek (which is further aggravated here, alas). i liked the bit where he sings that one song in full, but need to stress that anyone misled into thinking this is a *musical* is in for a major disappointment.
Eind jaren 80 in New York neemt een theatermaker met aids een mogelijk laatste grote rol aan.
De film is geregisseerd door Ira Sachs, een Amerikaanse filmmaker bekend om intieme karakterstudies zoals Passages en Love Is Strange.
De film ging in première in de competitie van het Filmfestival van Cannes.
