Youth going to the grinder. A portrait of a city where everything from institutions to brotherhood relationships is near collapse. The greatest punk film ever made. Nihilism has never been rendered this affecting.
We use cookies to personalize your experience and analyze traffic. You can opt out at any time.
Σκηνοθεσία Tsui Hark
Dangerous Encounters of the First Kind
Σκοτεινή, μουντή αστυνομική ταινία
Τρεις έφηβοι κατασκευάζουν μια βόμβα και την τοποθετούν σε έναν κινηματογράφο, τραβώντας την προσοχή μιας σαδιστικής νεαρής κοπέλας που αρχίζει να τους χειραγωγεί, παρασύροντάς τους σε μια ολοένα και πιο βίαιη εγκληματική δίνη.
Δεν υπάρχουν προβολές της «Επικίνδυνες Συναντήσεις Πρώτου Τύπου» στην πόλη Λος Άντζελες σήμερα.
Youth going to the grinder. A portrait of a city where everything from institutions to brotherhood relationships is near collapse. The greatest punk film ever made. Nihilism has never been rendered this affecting.
Starts with our heroine torturing her pet mice, ends on top of a literal mountain of death. Movies don't get any angrier.
Colonial territory a negation of its peoples within which finds such people negating its use to the colonizers in negating the land itself. What else can you call its youth planting bombs in their own home? The act of terrorism becomes so unspokenly consigned by the city's own and their latent territorial anger that its outlet becomes those lost children who do not know their own history and do not have their own land and, unlike the older generation with ties to that land, do not care if everything goes in flames. At which point it's less of an ideological stance than it is an existential one, one where the value of life is seen more through its ability to generate the death (the negation) of other lives than in the cultivation of that life itself. No one wins, but at least they lose.
The film follows three disaffected youths and a sociopathic young woman who, after detonating a homemade bomb in a cinema, find themselves caught in an escalating spiral of crime and lethal violence against international arms dealers.
Tsui Hark directed this 1980 Hong Kong thriller, a seminal work of the Hong Kong New Wave known for its nihilistic tone.
Yes, it contains extreme violence and disturbing imagery, including animal cruelty, reflecting its reputation as an uncompromisingly bleak and nihilistic film.