Pawel Pawlikovsky is Wes Anderson for eastern europeans with severe depression
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Το 1949, ο Γερμανός συγγραφέας Τόμας Μαν και η κόρη του Έρικα ξεκινούν ένα οδικό ταξίδι σε μια κατεστραμμένη Γερμανία, από τη Φρανκφούρτη που ελέγχεται από τις ΗΠΑ μέχρι τη Βαϊμάρη που βρίσκεται υπό σοβιετική κατοχή.
Η «Πατρίδα» παίζεται σε 24 σινεμά στην Αθήνα - επόμενη προβολή Παρασκευή 18 Σεπτεμβρίου στις 17:40 στο Movie theatre Diana.
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Pawel Pawlikovsky is Wes Anderson for eastern europeans with severe depression
I think this is Pawlikowski’s greatest statement in his trilogy of individuals searching for their place in a ravaged post-WWII Europe. One where nations and individuals are looking to align themselves with a strong image/symbol, but not willing to do the soul searching.It’s concise but very dense and rich. Though it’s dramatically restrained, it offers a quiet spiritual catharsis in the end that I found very moving. Hüller and Zischler are wonderful.It will help you to watch Ida/Cold War before this and to know a little of the political/personal themes that Pawlikowski is interesting in exploring. Could see some feeling kind of lost without that context.
za każdą wielką kobietą stoi mężczyzna - stoi i pierdoli
The film follows the writer Thomas Mann and his daughter Erika in 1949 as they undertake a road trip through a fractured post-war Germany, crossing from the American-occupied zone to Soviet-controlled territory.
The film is directed by Paweł Pawlikowski, a Polish filmmaker known for his refined, black-and-white stylistic approach in films like Cold War.