in the oneiric space, the phantom is a trans woman and christine the living abstraction of what the phantom wants to be. the phantom's "monstrosity" just a distortion of dysphoria, internalized transmisogyny, and the way the world sees her "difference." the world discovers her secret, invades the closet which is a tomb and torture chamber, bludgeons her, and dumps her body in a river, all while her femininity in the shape of christine is rescued by Men and a gothic mob. taken back from the "monster." and her own femininity recoils at the sight of her face, like every morning in the mirror tracing the line of my hair and the shape of my skull.and this is why the Red Death mourns the dead in the midst of masquerade merriment: she can't forget our tortured siblings, dead.repeat this reclamation process to announce your pain each time you are misgendered any time you go into public.from another angle, the phantom might just be an entitled male nice guy monster who attacks women when he's friendzoned. but for today, I'm rubbing my glittery monster claws all over this movie. SHE'S OURS now. until leaving the house doesn't make us want to die and the closet is no more a coffin for restless sleep and vague horrors. until my own me can love me.
Ένας τρομερά παραμορφωμένος συνθέτης γνωστός ως "The Phantom" στοιχειώνει την όπερα του Παρισιού, όπου κρυφά καλλωπίζει την Christine Daae για να γίνει ντίβα όπερας. Παρασύροντάς την στην απομακρυσμένη υπόγεια φωλιά του, το Phantom δηλώνει την αγάπη του. Αλλά η Κριστίν λατρεύει τον Ραούλ ντε Τσάγκιν και σκοπεύει να ζήσει μαζί του. Όταν το The Phantom το μάθει αυτό, απαγάγει την Christine.
Πού παίζεται
3Η «Το Φάντασμα της Όπερας» παίζεται σε 2 σινεμά στην πόλη Λος Άντζελες — επόμενη προβολή Παρασκευή 23 Οκτωβρίου στις 20:47 στο Fine Arts Theatre.
Παρασκευή, 23 Οκτωβρίου
Σάββατο, 31 Οκτωβρίου
Συντελεστές
6Κριτικές θεατών
It might be missing the Andrew Lloyd Webber soundtrack, but of course, it still has its merits. The score is great, though it may feel repetitive and tonally out of sync with the scenes at times. Despite the minor issue in tone, it’s still well-acted, and Lon Chaney gives a menacing performance as the phantom. This is the first silent film I’ve seen that actually uses dialogue cards consistently, which made for a thickened and engaging plot. The set design is impressive, and I can only imagine that it was ahead of its time. The momentary use of color was a nice touch as well.
Man oh man, the hype around Lon Chaney is real. Tons of credit to the old-school for being a masterclass in make-up and expression. He wasn’t just a pretty face.
What is The Phantom of the Opera about?+
A disfigured man living beneath the Paris Opera House uses terror and manipulation to elevate a young singer's career.
Who directed The Phantom of the Opera?+
The film was directed by Rupert Julian, a New Zealander who was a prominent director during the silent film era.
Is The Phantom of the Opera a silent film?+
Yes, this 1925 production is a landmark silent horror film featuring a famous hand-painted Technicolor sequence during the masquerade ball.














