sort of an extended Baudrillard riff that’s been done endlessly. The slow cinema stuff in it feels undeveloped, especially the final shot. What are we doing here, guys? I talked to Jacob Gregor about it after and he made me appreciate it a bit more where he was talking about how it allowed him to totally disengage and think about his own work, and I realized I did the same thing during it. I liked being given the luxury of disengaging.














