The Afghan Whigs

From their inception in Cincinnati, Ohio in 1986, The Afghan Whigs have never played by the rules of convention. Against the plaid-and-grunge-shaded backdrop of the early-to-mid-‘90s, the Whigs stood apart from their contemporaries by virtue of attiring in suits and being way more likely to slide up on a Marvin Gaye groove than rehash a Black Sabbath riff. They stand apart still. The Afghan Whigs new album, Soft Control is testament to the old David Bowie quote, where he describes aging as “an extraordinary process where you become the person you always should have been.” By now, the volatile years of band leader Greg Dulli’s youth have been substituted with a wry and self-aware satori. The edge and sensitive temperament remain but the unchecked infernos of ego and rage no longer threaten personal immolation. And Dulli’s vocals are simultaneously the strongest and most delicate that they’ve ever been. The album captures The Afghan Whigs’ unique ability to conflagrate stab-you-in-your-nose bone guitars and cubist refractions of soul and R&B. You expect bangers from The Afghan Whigs, and there are bangers. Yet there is a reconciliation of loud volume and somber reflections, living life with joy and purpose while keeping one eye on the clock and remaining aware of the absurdity. The Afghan Whigs’ tenth album is a sterling addition to a singular body of work –a double-sided invitation to embrace the light and welcome the darkness.