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George van den Broek’s mercurial talent has long been the talk of contemporary music. An overnight sensation when 2016 debut E.P 'Harmless Melodies' touched a nerve with a global audience of millennials, he signed a worldwide deal with Sony while most teenagers’ biggest challenge would be surviving Freshers’ Week. Subsequent sonic excursions have seen him explore everything from sprawling pop fusion (Sony debut : ‘A Day In A Yellow Beat’) to sci-fi conceptualism (2024’s ‘HOTEL HEAVEN’) -complete with themed global tour. His upcoming release as Yellow Days, ‘Rock And A Hard Place’, however, sees George — newly married and drug-free — returning to the influences which inspired him to start making music in his parents’ garden shed in Haslemere, Surrey, as a wide-eyed 16-year-old. “It’s a return to innocence,” he says with a smile. “As a teenager I didn’t know what I wanted to do, musically. As time goes by, you lose a bit of passion and edge. It’s easy to get carried away. I’ve been like a disobedient dog that needed training (laughs). I see this as the first adult album I’ve ever done.”
Yellow Days plays bedroom pop, pop soul. George van den Broek’s mercurial talent has long been the talk of contemporary music.
Yellow Days's live sets are loose and exploratory - consistent in quality but rarely identical night to night.
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