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Based on Dexter Filkins’ resonant New Yorker article of the same name, about Marine Lu Lobello, haunted by memories of a deadly incident in Baghdad, whose journey of guilt and remorse leads him to reach out to Nora, the sole surviving member of the family he believes he may have harmed.
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Our psychology has evolved to the point where we understand the impacts on the “victim.” But when it comes to the perpetrator, I don't think I have evolved to the point where I can recognize, much less know how to treat or help them, or whether they deserve forgiveness.If you showed me the first 20 minutes and the 30-minute ending, I'd have thought I'd love it. But the whole thing felt like a beautiful vase glued together all wrong.
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It follows a former U.S. marine haunted by a deadly wartime incident in Baghdad who attempts to seek reconciliation with the surviving family members.
Reed Van Dyk directed the 2026 war drama, which premiered at the Cannes Film Festival. Full schedule on Mood.