A rapturously beautiful slow burning film. The final scene, where the motorcycles glide along roads, fading into memory with the distant echo of a roar is probably the best sequence of filmmaking at this year’s Locarno Film Festival.
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Directed by Maxime Jean-Baptiste
Kouté Vwa
An atmospheric, grounded drama.
Melrick is an unruly young boy who spends his summer in French Guiana at his grandmother's house to escape his turbulent daily life in Stains, France. At the end of his stay, he plays the drum to revive the memory of his late uncle, Lucas Diomar, who died in tragic circumstances. Despite a wave of murders of young men shaking the headlines, Melrick becomes aware of his place in a family destroyed by irreparable grief.
No showtimes for Listen to the Voices in Los Angeles today.
A rapturously beautiful slow burning film. The final scene, where the motorcycles glide along roads, fading into memory with the distant echo of a roar is probably the best sequence of filmmaking at this year’s Locarno Film Festival.
the beat of the heart and the beat of the drum are one and the same. i was completely and utterly blown away by kouté vwa, which i connected to on a deeply personal level. i feel moved, but not in some abstract sense: i feel reconfigured, rearranged, heart and lungs thrown open. essential.
Putain j’aime vraiment trop les documentaires en faitLa séquence moto tellement magnifique (à peine elle était finie que j’avais déjà envie de la revoir), la discussion dans la voiture entre Melrick et sa grand-mère, la nature guyanaise teintée de bleu et Yannick, les séquences tambour et musique… tellement touchant. <3
A young boy spends his summer in French Guiana and confronts a family tragedy through drumming and memory.
Maxime Jean-Baptiste directed the 2025 docufiction film exploring grief and family trauma.
The film received critical recognition on the international festival circuit, including a Special Jury Prize.