Oh my dear lord. Finally watched it. Now I have to go on a deep dive in to Amir Shervan's filmography. I was aware of some of his US titles because when I was renting props for Tangerine, I came across a small business located in Thai Town, Los Angeles called Cop Prop Shop. (They have a website) I walk in to the office and there are mini posters of Amir's films all over. I recognized the Hollywood Cop poster and asked what the deal was. They happened to be good friends and provided the guns, etc for Amir's films. I looked in to Shervan's filmography and found that his last film, Samurai Cop, was already gaining infamy. I just watched Edge of the Ax recently. That's another example of foreign sensibilities revealing themselves through dialogue and behavior of characters. Well Larraz has nothing on Shervan. I don't think there has ever been a better example of "lost in translation" than this film. On top of that, not a second of this film disappoints. There is a head scratcher in every frame of this film. It's a feat. I hope somebody is working on an Amir Shervan documentary. I want to know more about this guy. And does anyone out there know how to find his Iranian work?Watched the Cinema Epoch Blu-ray.













