"Let's face it, I fucked 'em all. That's what I do" - the ultimate Warren Beatty line of dialogue
On Election Day, 1968, irresponsible hairdresser and ladies' man George Roundy is too busy cutting hair and dealing with his girlfriends and mistress Felicia Karpf, whose husband Lester is having an affair with his ex-girlfriend Jackie.
Shampoo is showing in 1 cinema in New York City - next screening Sunday 1 November at 12:15 at New Plaza Cinema.
Next screenings: Sunday 1 November.
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"Let's face it, I fucked 'em all. That's what I do" - the ultimate Warren Beatty line of dialogue
WARREN BEATTY: Well I fool around sometimes. I do. When a girl seduces me and tells me all these hot stories and dirty things and tells me how much she wants to suck on me and take my shoes off and licks my feet and touches me.When I’m in a limousine, she takes all of her clothes. The limo driver said, what is going on? And she started sucking me on the way to Mr. Koon's house. And I thank her. I thank her for making me feel good.GOLDIE HAWN: Sir, the question was, is this your handwriting?This movie takes place in a single day. Imagine how dehydrated George is.Warren Beatty’s hair looks awful. Terrific crying eyes all around! Congratulations to Lee Grant for her Academy Award for Best Crying Eyes. Great, expensive soundtrack. I personally don’t think the screenplay is as wonderful as critics seemed to, and apparently Roger Ebert didn’t either. Guess it’s just another way in which I am, as many cannot stop saying, this generation’s Roger Ebert! Whenever we go out, the people always shout: “There goes our generation’s Roger E!” da da da da da da da!
my warren beatty fucks? double feature:BONNIE & CLYDE: warren beatty can't fuckSHAMPOO: warren beatty fucks (everyone, all the time, god help him)
Set on Election Day in 1968, the film follows a busy Los Angeles hairdresser who navigates chaotic romantic entanglements with his various girlfriends, a mistress, and her husband.
Hal Ashby directed Shampoo in 1975, capturing the social and political anxieties of late-sixties America through a sharp comedic lens.
