After two sold-out global tours, over 2.2 billion global streams, and career-defining moments like performing on Glastonbury's The Other Stage, headlining London’s OVO Wembley Arena, Sigrid found herself in 2024 needing a reset. She stepped away from the pressure of "content culture" in writing rooms to rediscover the joy of making music simply for the love of it. Solo trips to remote parts of Norway, festival stages in South America, and cathartic late night sessions with her band reignited her creative spark. In October 2025, the Norwegian pop powerhouse released her most joyful album yet, There’s Always More That I Could Say. Removing the pressure and embracing instinct – Sigrid started writing what felt good in the room. It was less about chasing perfection, and more about capturing the truth of the moment. Co-producing the album, Sigrid is one of the most talented pop songwriters of the past decade. Writing candidly on There’s Always More That I Could Say, about love, loss, overthinking, and starting again, Sigrid says: “It’s not about perfection. It’s about honesty, weirdness, joy, chaos, humour, and growth. And above all, it's about letting the songs breathe and to have a good time in the studio. Of course I could say more… but that’s all you’re getting..”. Lead single “Hush Baby, Hurry Slowly” is Sigrid at her best: skyscraper choruses and dance-pop made for festival stages.
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Sigrid performs upbeat Scandinavian pop and electropop characterized by soaring choruses, emotional candor, and vibrant festival-ready production.
Her most prominent releases include her chart-topping debut album Sucker Punch, How to Let Go, and the album There's Always More That I Could Say.
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