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Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Chantal Akerman was a Belgian filmmaker and artist widely considered one of the most influential figures in experimental and independent cinema, known for her pioneering work in structuralist and slow cinema.
She is best known for her seminal 1975 drama Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, as well as other notable works such as Je Tu Il Elle and News from Home.
Her filmography is defined by a rigorous, minimalist, and structuralist approach that explores themes of time, domesticity, and female identity; explore her full filmography on Mood.