We use cookies to personalize your experience and analyze traffic. You can opt out at any time.
Directed by Wang Tung
無言的山丘
A bleak, gritty drama.
In 1920s Taiwan, Jou, a controversial woman with a tragic past, seeks to change her life after falling for a man named Che. Meanwhile, a man named Wei seeks to buy the freedom of Fumiko, a dying young woman.
No showtimes for Hill of No Return in Los Angeles today.
Hill of No Return showtimes, refreshed every morning
Pick your cinema, get a nudge before it leaves screens.
Humanity inverted. A wide-ranging, stunning perspective of a subjugated people in all their complexities. The mountain's treasure lay in the vibrant yellow flowers that adorned it, a natural splendor that was swiftly obliterated by a self-consuming societal structure.
The mountain non-voices. The gold mine. The town. The people in it. It feels lived-in for very long. Dense. Sceneries, both exterior and interior grounded by the observing lens. Focused on the large cast of characters. The environment breathes so much. Silent devastation. Hardships. The unfairness. Tragedies. The innocence that was lost. The thunder that comes from the mountain.It's time to cry.
Bodies degraded, broken down into sentient vessels of labor, their worth determined by their workload; subjugated and commodified by an imperial force that has swept through myriad lands and countless epochs.Humanity eating itself under the pretenses of nation and greed. The men made to mine with their lives on the line, the women made to tend house or sell their bodies for cheap; autonomy only a cruel delusion that brought some to this demesne, or the pipe dream that kept those already here in place and at bay.Through the pain and suffering, the sickness and exhaustion, happiness and companionship still find ways to flourish in short moments of contentment and kindness. And while displays of resilience such as these are undoubtably profound and inspiring… it shouldn’t be like this.The suzerain and his forces should not hold power over the people he has intruded upon. Yet we see it happening, even today; time after time, until someone brave enough sacrifices themselves for the freedom of others.But when the monster is beheaded, a new face appears and the cycle begins again until the gallantry of one becomes the bravery of all.So many have been lost; so many are hopeless. We weep for those who’ve perished as they rest below us, we aide the destitute as best we can, while the earthly summit weeps for us all.
Set in a 1920s gold mining village under Japanese colonial rule, the film follows the struggles and relationships of laborers and their families as they fight for dignity and survival.
It was directed by Wang Tung, a prominent filmmaker of the Taiwan New Wave movement known for his focus on local history and societal issues.
The film received significant critical acclaim, including multiple wins at the Golden Horse Awards, such as Best Feature Film and Best Director.
