Coming back to films like this always hits harder than expected.The whole film feels like a memory you’re not sure you want to revisit, but you still do. The kind that hurts, but also reminds you why it mattered in the first place. Tadanobu Asano doesn’t say much, but his presence in the film is absolutely astonishing. By the end, it’s not about closure. It’s about acceptance. About understanding that people are flawed, love is imperfect, and sometimes the only thing you can do is hold onto what was good even if it existed alongside something painful.
