Kidman vs. Kid Man
Directed by Jonathan Glazer
A bleak, atmospheric drama.
It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.
Birth is showing in 1 cinema in London - next screening Thursday 15 October at 12:30 at Prince Charles Cinema.
Next screenings: Thursday 15 October.
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Kidman vs. Kid Man
bored af might show up to some rich widows house to tell her im her reincarnated husband and see what happens
There is no movie like this. It never blinks or winks. It locks eyes with you and never breaks focus. Losing someone you love is something everyone experiences and almost everyone copes with. But nothing is ever healed and if faced with the same cosmically weird and yet practically undeniable circumstance as Anna does here, you’d be hard pressed not to explore, believe. The whole movie is an extraordinary act of commitment, and one in a long line of daring and profoundly unsafe choices by Nicole Kidman. Four films into his career, one of the prevailing themes of Jonathan Glazer’s work is the magnitude of devastation caused by belief. In codes, structures, desire, the phantasmagoric unknown. Be careful where you let your mind take you, it may be your undoing. There’s no smarm or detachment in his films — I, personally, wouldn't have the gall, the confidence to see beyond the potential self-effacement or bitter irony of these stories and their wild premises. They feel real because they are real.
A grieving woman preparing to remarry finds her life upended when a young boy appears claiming to be her deceased husband reincarnated.
It was directed by Jonathan Glazer in 2004, known for his distinctive visual style and precise psychological framing.
It competed for the Golden Lion at the Venice International Film Festival upon its original release.
